Monday, September 21, 2015

Music: In, Out, and Over

Let's start it off with music in. We've got more sources than usual this time around.
  • Sunset Hearts, "wwwindswept", 2014. The current main band of my most excellent drumming nephew Max Heinz in Portland ME. 7 tracks, purchased from bandcamp. Very well produced, but I don't think the songs were quite up the quality of their debut album. 3 stars.
  • Marie Stella, "from", 2011. Max's prior band. A lot edgier than Sunset Hearts, very strong alternative rock. 6 tracks, purchased from bandcamp. 3 stars.
  • The Beach Boys, "Ten Years of Harmony", 1980. Ripped from vinyl loaned to me by friend musician Richard Mattingly. He says this was a fan club only release. It covers mostly the same great period as the Beach Boys I had already ripped: "Sunflower" through "Holland" including my favorite "Surf's Up". 27 trecks, including a few I hadn't heard. None of those were standouts, so I just gave the whole thing 3 stars.
  • The KingBees, "Hoodoo Moon", 2013. These guys are a Louisville blues band. My wife and I happened to catch them at Stevie Ray's when we were spending a weekend in Louisville. 5 piece, harpist, guitarist, bassist, and keyboard player all good vocalists. Then at the Tuesday Blues Jam at Weekend Willie's in Naples FL, I wound up playing with the harpist/vocalist Rick Cain - he also has a place in Naples. Last time I played there on a Wednesday night sitting in with Black Cat Bone, he was there and we chatted and he gave me this CD. It is well produced and has some decent songs, but there was also misogyny and sexism that I don't have much use for at this point - songs like "Younger Girls", "I Got My Ex Paid Off", "Gimme My Money Back". 2 stars
  • Tame Impala, "Currents". I love this band's sound, but the songs on this album were not as strong as on their prior album. 3 stars.
  • The Cisco Cliftons, "Is Anybody Out There?". The drummer for this band is young Evan Stripplehoff. He was the 1st drummer of record for the jam I was running at Heny Clay Public House a few summers ago. He got an mechanical engineering degree from UK, worked in the field for 5-6 years, got tired of it, had enough money in the bank to try to pursue music full-time. He's in a couple other bands, this is I think his best. 3 tracks, I think from bandcamp. Well engineered and suprisingly tasty tunes. 4 stars.
  • Art Blakey and the Jazz Messengers, "Free For All", 1964. Ripped from my vinyl. Art Blakey is an incredibly strong drummer. And for all my normal complaints about jazz not having enough hook, the 1st 2 tracks, the title track and "Hammer Head", both written by Wayne Shorter, are really catchy. 4 stars for those 2, 3 stars for the other 2 tracks.
  • The Blues Project, eponymous, 1972. Ripped from vinyl. Subtitled "A Compendium Of The Very Best On The Urban Blues Scene". Maybe better would have been "White Guys from Greenwich Village play the blues". 4 or 5 mostly solo guitarist/vocalists. Most of the guitar work is very good, the vocals not so much so. It made me think of local musician Willie Eames - a white guy playing traditional blues (and other stuff) - who is 10 times as good as any of these guys. I burned him a copy, hopefully I'll get it to him sometime. 3 stars.
  • The Blues Project, "Live At Town Hall", 1967. Ripped from vinyl. Wow, what a difference. I remember most of this one. Al Kooper on Keys, Denny Kalb on guitar. I think I remember playing "Flute Thing", "Wake Me, Shake Me", and maybe "I Can't Keep From Crying", but I can't imagine what band that would have been with. Put this in the Psychedelic genre - I think the 1st album in that genre that doesn't suck! 4 stars for those 3 tracks, 3 stars for the rest.
  • Bonzo Dog Band, "Urban Spaceman" 1968; "Keynsham" 1969, "Let's Make Up And Be Friendly" 1972. Ripped from vinyl. Also known as the Bonzo Dog Doo-Dah Band. They were a British novelty band from Back In The Day, led by Vivian Stanshall. We really liked "Urban Spaceman", but, man, novelty doesn't age well. 3 stars for "I'm The Urban Spaceman", "We Are Normal", "Beautiful Zelda", and "Mustachioed Daughters", 2 stars for everything else. I created a Novelty genre for this. I also put Ween in it.
  • Arthur Brown, "The Crazy World of Arthur Brown", 1968. Ripped from vinyl. Wow, talk about something that did age well. I thought Arthur Brown was a black guy, but he's a British white guy. He was known for his theatrics. I think the song "Fire" was a radio hit. The main instrument on the album is kickass organ, with horns on some songs. I put this in the Unclassifiable genre, really hard to characterize. 4 stars, 3 for "Spontaneous Apple Creation".
  • Joss Stone, "Water For Your Soul". Quite a bit more reggae than Ms. Stone's earlier efforts. It didn't do that much for me. 3 stars.
  • Lianne La Havas, "Blood". I think I heard a track from this on WRFL. Nice vocalist from London, some bossa nova / spanish sounds, but also some more energetic sounds. A nice mix of tunes. 4 stars.
  • Will Nelson & Merle Haggard, "Django and Jimmie". Recommended by my friend bassist Gary Jones. Had to go for it, love both these old guys. A few covers but mostly new stuff. 3 stars.
  • Adron, "Organismo", 2011. Recommended by my friend bassist extraordinaire Jairaj Swann when she was going to be performing in Lexington recently. They are currently both based in Atlanta. Beautiful vocals and guitar work. Consistently interesting songs. Sorry I didn't see her. 4 stars.
  • Cibo Matto, "Hotel Valentine", 2014. Couldn't resist another entry to the "Japanese Chick Pop" genre. Hunh, their other 2 albums I have are from 1996 and 1999, with not many since then. Sounds pretty much the same as those, decent listening. 3 stars
That brings us up through mid-August. 5 new ones in the hopper for next time.

On to the music out - and over. It looks like I have retired from being a semi-professional jam musician. I haven't been out playing - or picked up a guitar for that matter - since mid-June. Maybe it will just be temporary, I don't know.

Most of the musicians at the jam have 10 songs in their repertoire, maybe 20. I've done 84 over the years, but had only been able to work in 1 new song in the last year. I get tired of doing the same stuff ("play 'Crossroads'"). And overall, I don't know, sometimes I felt like I sounded good, and people would say I sounded good, but videos of my playing and singing seemed to me to be consistently pretty sucky. And I've always said, I don't do things if I suck at them.

Plus, a few things lately, minor but very annoying health issues, have reminded me, I'm getting old. I don't need to be staying out late in bars drinking, smoking, and otherwise abusing myself.

And, I seem to have very little inclination to practice lately - too many books to read, too many tweets to tweet.

So, the guitar cases stay in the basement for a while. We'll see how long, I guess.

Saturday, September 19, 2015

Europa Report

Last night I watched the movie "Europa Report" (2013) on Netflix. It's about a manned spaceflight to Jupiter's moon Europa. It's not bad. Rather than using "jumpy cam" is uses "cutting in-and-out cam" as a suspense mechanism. The pacing and suspense are good, as is the exciting conclusion. So, worth a watch.

I thought it might be foreign made - Canadian or British - but the credits call out only the Film Bureau of New York. More importantly though, the credits roll on for page after page to NASA, JPL, and Lockheed-Martin. So basically the film is an infomercial for manned exploration of the solar system. Early on the woman who is the corporate project manager says that they we have to send people because people contain "unquenchable will to make things work and get the job done." or some such.

The film totally fails as an informercial. In fact, it is a testament against manned space exploration. I'm going to go into details, so, if you are going to watch the movie, please go do so and read the rest after you're done.

* * * SPOILER ALERT * * *

I'm just going to list all the bogosity here, in no particular order.

  • Most of the 6-person crew (4 men, 2 women) are way too high strung to be astronauts, particularly for what would be a, what, 3 or 4 year mission. Particularly the female oceanographer who sits around looking tense all the time. Astronauts like airline pilots I would think are chosen to be stolid, phlegmatic, unemotional.
  • Space missions only "wing it" when absolutely necessary. They totally go by the numbers unless it is completely unavoidable. The 1st crew death occurs as a result of when a damaged solar module won't come out and the 2 guys working on it decide after about 4 seconds discussion to pry and yank it out. The 2nd crew death occurs after the oceanographer, at the limit of her range from the lander on Europa, sees glimmering lights, decides to move after them, and the commander in the lander says "Yeah, go for it".
  • Plot tension is generated by having the lander miss its target by 100 meters (the oceanographers walk). They wanted to land on an area showing thermal anomalies - heating. As soon as they are down, they find out the thermal anomalies are melting the ice and making it unstable - duh!
  • The "compelling purpose" of the mission was to look for life in the seas of water underneath Europa's icy shell. And finding other life "would be the greatest discovery in the history of science". Wrong, wrong, wrong. I guess sometimes scientists, NASA administrators, etc. do speak like this, trying to build excitement for budgets, but, it just ain't so - it ain't science. Science is The Scientific Method, and 10000s of discoveries over the history of mankind, always building to some extent on prior discoveries. Science is a team sport. I see finding other life as pretty inevitable. When it happens, it will be just another brick in the wall.
  • The whole concept - send 6 people to Jupiter with no backup, no contingency plan - just seems so wrong. I'd guess at least a 50% probability of it being a suicide mission - hey, I was right, they all die! But, the last 2 alive scavenge life support to repair their busted Earth comm so they can get the news back. Surely there's a better way!
There is a better way - let our friends the robots do it for us. They are currently doing amazing work! Look at this picture of Pluto, of all places, on what looks like a close flyby!

Or this one, of the odd shiny spots on the largest asteroid Ceres.

When we do want to try to create human presence off of the Earth, say on the Moon or Mars, why not send teams of robots to first setup facilities to build more robots (if possible), and then build the structures for humans to come inhabit? It will take a fraction of the cost, and greatly delay the inevitable PR blowback from the 1st human deaths, which we know will eventually occur.

This seems like the only way to go that makes sense to me. You're going to have to have the facilities to create raw materials, particularly oxygen and water, for human inhabitants sooner rather than later. Let's let the robots do it!

Thursday, August 27, 2015

The End of All Things

I decided to finish up the novels on my iPad by kind of "known authors" who I have enjoyed in the past before moving on to new stuff. Next up was "The End of All Things", by John Scalzi. This is the latest (6th?) installment in The Old Man's War universe. Scalzi again serialized this book, I think as 4 $2.99 novellas, before releasing it as a novel. I'm guessing he makes more money that way, good for him.

It is a very enjoyable read. It has many of the same characters from the previous 1 or 2 novels. A different narrative voice for each of the 4 parts. Scalzi seemed to be somewhat less snarky, which I think is not bad for him.

Note that 2 of the 4 narrators are female voices. Scalzi, who was prez of SFWA (Science Fiction Writers of America) for a few years recently, has been one of the main warriors fighting against the dumbasses who finally coalesced into Sad Puppies (and GamerGate) - poor oppressed white males, who just want everything to be the way it used to be: manly men without all this obviously wrong politically correct support for feminism, multiculturalism, LGBT rights, etc. [sarcasm] These guys stuffed the ballots in the Hugo award nominating process to create slates where all the candidates were mostly inferior but mostly WASP males (I don't know, maybe they snuck a Slav in there somewhere). But, yay, a couple of days ago they mostly got their butts kicked with "No Award" taking all the categories where they had allowed for no real worthy alternatives. They are, of course, vowing vengeance! You all just wait until next year!

Plus ca change, plus ca la meme!

In the light of that, in addition to the 2/4 female narrative voices, I am going to guess that at least 1/2 of the characters in this novel, lots of whom are Colonial Marines, are female. That wasn't hard, was it? It does not affect the story at all to do this. It does not create any cognitive dissonance.

If all the scripts coming into Hollywood did this, it might fix a lot of the problems with underrepresentation of females in their productions. I personally feel, the more women in any production the better. The FIFA Women's World Cup, particularly the 5-2 final win over Japan, was some of the best soccer I've ever seen - and I coached soccer 9 years and refereed for 12, so I know the game.

Go wimminz!!!

Tuesday, August 25, 2015

Aurora

A couple of weeks ago I finished reading "Aurora", by Kim Stanley Robinson. Somehow KSR seems to have become scifi's Elder Statesman. In addition to his Mars novels and his "Science in the Capital" series about climate change, I really liked his prior novel "2312", blogged here. That one was the closest to Ian M. Banks' Culture of anything I can remember recently. I was hoping for more of that - I need the vision of a post-scarcity, anarchist, socialist utopia to keep me going!

This novel is a generation-ship story. There is a complex computer program that maybe approaches AI levels. I think it was in the discussion of this that KSR brings up several times various cognitive errors:

ease of representation, probability blindness, overconfidence, and anchoring.

Even those aware of the existence of these genetically inherited cognitive errors cannot seem to avoid making them.

Very interesting stuff, I would have liked to have seen it explored in more depth.

The plot has several interesting twists - and probably some bad news for the concept of exploring other planets. It is a great read, I don't think KSR can create anything else. We just need to get him pointed back at post-scarcity, anarchist, socialist utopias!

Monday, August 03, 2015

The Annihilation Score

"The Annihilation Score" is the 6th Laundry Files novel by Charles Stross. These stories are H.P. Lovecraft meets Dilbert meets James Bond. The first 4 Charlie was paying tribute to different spy novel styles. The 5th one, he decided to riff on vampires. This one the secret sauce is superheros. Additionally, the protagonist is Dr. Mo O'Brien, the wife of our normal protagonist Bob Howard.

Charles Stross is one of the leading lights of modern science fiction. He knows code and coders. He skewers both corporate mentality and modern political trends. There are, as usual, several LOL zingers scattered throughout the book.

But, as much as this series is a money maker for him, I think he's getting tired of it. The pacing is off in this novel, particularly through the 2nd half of the book. The ending winds up being somehow a totally foregone conclusion.

I will always read everything Charlie writes, but, I would rather he turn his energies to new universes (which he of course is). Maybe 1 or 2 more Laundry Files and I think I'll have had enough.

Monday, July 27, 2015

The Water Knife

"The Water Knife" is the second adult novel by Paolo Bacigalupi. Paulo is one of the bards of the coming climate crisis.

This is an extremely violent book. I think it is intended to shock us into realizing how desperate the lives of refugees are. In this case the refugees are primarily Texans, trying to flee future drought into the southwest and California. Their desperation is probably not that different from African refugees who are trying to escape drought right now. I have to admit, Texans are acting like such jerks lately, say with their reaction to Operation Jade Helm for example, that I got a guilty pleasure from having the victims here be mostly Texans.

The novel's pacing is very tight and the cast of characters is relatively small. The plot is very nicely twisted, worthy of Film Noir. I would guess the movie rights to this are already sold, and it will make a great film. Too bad Danny Trejo is too old to play the title character.

There are some nice insights into the various cognitive impairments that are allowing us to ignore or deny the climate crisis.

“If I could put my finger on the moment we genuinely fucked ourselves, it was the moment we decided that data was something you could use words like believe or disbelieve around.”
Another major component of the story is the book "Cadillac Desert", by Marc Reisner. Published in 1993 and subtitled "The American West and Its Disappearing Water", it is apparently the roadmap for what is going to happen with water in the southwest, winding up in the dire straits in which "The Water Knife" is set.
“It’s wallpaper. Every water manager, every bureaucrat — even you got that damn book. All of you with your nice hard-copy first editions, all of you pretending you know shit.” He opened his eyes blearily. “Acting like you all saw this shit coming.”

He closed his eyes again and slumped back against the door. “That guy Reisner, now. That man saw things. He looked. All these people now, though? The ones who put that book up like a trophy? They’re the ones who stood by and let it all happen. They call him one of their prophets now. But they weren’t listening back then. Back then no one gave a shit about what that man said.”

I probably won't read "Cadillac Desert". I have seen projected drought reaching as far north as Kentucky by 2100. I will probably keep living in the Ohio Valley, 13 miles from the Kentucky River and 54 miles from the Ohio River, the greatest waterway between the Appalachians and the Mississippi. But meanwhile, good luck to people in the southwest in the coming decades.

William Gibson said "The future is already here — it's just not very evenly distributed." Unfortunately this is and will be very true for the climate crisis as well. The countries in the temperate zones who put most of the carbon in the air will be affected much less severely than countries in the tropics. We can only hope that Climate Justice will win the day.

Friday, July 17, 2015

How Does Walter Tunis Do It?

Walter Tunis is the Lexington Herald Leader's music critic. We moved to Lexington in 1981, and he had become their music critic just before that, so he has been the music critic for our entire Lexington history. I follow his blog, which normally means I read his pieces before they hit the paper.

He goes through I'm guessing 2x the new music that I do. So the question is, how does he do it? I listen to new music most afternoons, and it still doesn't seem like there's enough time for the music to sink in to where I can form an opinion on it. So how do he do it? I'm guessing he's 5-10 years younger than me, but, I really think it's that his brain is wired for it somehow.

OK, enough excuses, down to new music. A little sparse lately, but lots of good stuff in the spring. This goes back to March.

  • Bjork, "Vulnicura". Another fine effort from our greatest living modern composer. 4 stars.
  • Modest Mouse, "Strangers to Ourselves". This is more reminiscent of their earlier stuff, particularly "Good News For People Who Like Bad News". 3 stars.
  • The Lone Bellow, "Then Came The Morning". I believe a Krugman recommendation. From Brooklyn, 3 great singers. I was going to move it from Alternative Rock to Folk, but then thought, Country? Some songs have pedal steel, and then they came through Lexington as the opening act for some male country singer. But I left as Alternative Rock. Great vocalists, 4 stars.
  • Will Butler, "Policy". The non-frontman brother from Arcade Fire. I was pleasantly surprised by the variety and quality of the songs. 3 stars.
  • Van Morrison et al, "Duets: Re-Working The Catalogue". Van does the standard duets album, with a more varied group of artists than you would expect. He and Taj Mahal have fun with "Now Can A Poor Boy?" off of his latest album. I worked it up but I think it's too repetitive for the jam. "Some Peace of Mind" with Bobby Womack may be one of Bobby's last recordings. Also nice to hear Mavis Staples, George Benson, Joss Stone and Steve Winwood. Also fun was the nicely self-referential "Whatever Happened to P.J. Proby" with ... P.J. Proby. 3 stars, 4 stars for "How Can A Poor Boy?".
  • Sufjan Stevens, "Carrie & Lowell". An ode to his parents. He has become my exemplar of Emo. I love his high, reedy vocals. 4 stars. Here's the 1st track.

  • Derek & The Dominos, "Layla And Other Assorted Love Songs", 1970. Somebody told me I needed to get this. Some great material, 3 stars. Note, I have started creating smart playlists such as "Eric Clapton +", which has this, Cream, his solo work, etc. Fun to listen to sometimes.
  • Passion Pit, "Kindred". Not as good as their last, but I still really like this kind of peppy pop. 4 stars.
  • San Fermin, "Jackrabbit". Seems like less than a year since their 1st release. Still very different. Another Krugman pick. 4 stars.
  • My Morning Jacket, "The Waterfall". The pride of Louisville delivers some great tunes. A very consistent effort. 3 stars.
  • Mumford & Sons, "Wilder Mind". Very different than their prior (1st?) album. That was one of the epitomes of modern Power Folk, this has lost the folkiness and is just more poppy alternative rock. 3 stars.
  • Todd Rundgren, "Global". What a great album! I particularly liked "Blind", which calls out climate change denial.

    Also a nice feminist anthem "Earth Mother". I went on and posted, mansplaining be damned.

  • Rainy Milo, "This Thing of Ours". Thank you WRFL. I am such a sucker for Britpop like this - I love the cockney accent. 4 stars. I posted the title song twice already, might as well do it here too. I love the harmony on the chorus.

  • Eric Clapton / B.B. King, "Riding With The King", 2000. Bought this and the next just after B.B's death. This has some great tunes, 4 stars. I love this album cover too. It shows the proper respect.

  • B.B. King, "Live At The Regal", 1965. Someone, I think maybe Clapton, called this out as one of the finest collections of some of B.B.'s early stuff. I totally agree, I love the band, and the upbeat, syncopated arrangements. 4 stars.
  • Of Monsters And Men, "Beneath The Skin". Nice tunes, not as good as their last tho. 3 stars.
  • Florence + The Machine, "How Big, How Blue, How Beautiful". This apparently went to #1 with a bullet. There were some very interesting, very complex vocal arrangements. But, overall the tone of her singing is I think a little too uniformly strident for my ear at this point. 3 stars.
  • The Pimps of Joytime, "Jukestone Paradise". From my friend guitarist Dane Sadler from Richmond. He posted this tune:

    I was like, what is this, hiphop rockabilly? The band has bass/macbook, drums, guitar/vocals/macbook, and 2 female vocalists/percussionists a la Sheila E. As I listened to more of it, I got strong memes of Prince and Sly & The Family Stone. High praise indeed. From Brooklyn via New Orleans. 4 stars.
Ok, that's up to the middle of June. It's been a bit slower since then, phew!

Value and Capital

"Value and Capital", subtitled "An Inquiry Into Some Fundamental Principles of Economic Theory" was published in 1939 by J.R.Hicks. Hicks is credited as being the inventor of IS-LM. This was the first major economic work published after Keynes' "General Theory"

This was really a tough read - 3 months? And I got very little out of it - no mention of IS-LM. Rather it explores how to extend static models - taken at a given moment at time - to dynamic models, which include the time dimension, primarily in the form of agents' future expectations. This is used to build an Equilibrium Theory of the general economy.

We learn about resource classes, including money and securities, that are related in 1 of 2 ways: as being complementary, meaning that increased supply for 1 resource will drive increased demand for the other resource; or as being competitive or substitutes, where increased supply for 1 resource will drive decreased demand for the other resource.

On expectations, we learn that these can be elastic or inelastic. Elastic means that a price increase now implies price increases in the future; inelastic means that future prices don't depend on the current price change.

Similarly, the current supply of a commodity depends not so much upon what the current price is as upon what entrepreneurs have expected it to be in the past. It will be those past expectations, whether right or wrong, which mainly govern current output; the actual current price has a relatively small influence.
He notes that his models to not adequately take risk into account.
It is important to realize that the allowance for risk, the percentage by which the representative expected price falls short of or exceeds the most probable price, is not determined solely by the opinion of the planner about the degree of uncertainty. It is also influenced by his willingness to bear risks, by an element which in the last analysis depends upon his scale of preferences. An increased willingness to bear risks will therefore be represented in our analysis by a change in expected prices in favour of the planner.

Further (and this is the most serious weakness of our treatment), the willingness to bear any particular risk (to plan to buy or sell at any particular future date for which expected prices are uncertain, and to act on that plan) will be appreciably affected by the riskiness involved in the rest of the plan. I can do very little about this on present methods, though some consequences of the interrelations of risks will come to our notice now and then.

Money, money, money. Interesting how you can't seem to have an economic system without it.
Those kinds of securities which are money differ from those which are not money by the fact that they bear no interest; that is to say, their present value equals their face value, instead of falling below their face value, as is the case with bills. Looked at in this way, money appears simply as the most perfect type of security; other securities are less perfect, and command a lower price because of their imperfection. The rate of interest on these securities is a measure of their imperfection-of their imperfect 'moneyness'. The nature of money and the nature of interest are therefore very nearly the same problem.
This seems to ignore that securities can be offered, as they are now, at negative rates of return.

The definition of income:

Following out this idea, it would seem that we ought to define a man's income as the maximum value which he can consume during a week, and still expect to be as well off at the end of the week as he was at the beginning. Thus, when a person saves, he plans to be better off in the future; when he lives beyond his income, he plans to be worse off.

...

This leads us to the definition of Income NO.2. We now define income as the maximum amount the individual can spend this week, and still expect to be able to spend the same amount in each ensuing week. So long as the rate of interest is not expected to change, this definition comes to the same thing as the first; but when the rate of interest is expected to change, they cease to be identical.

Interest changes are more complicated than price changes.
The reason why the theory of interest-changes is so much more difficult than the theory of price-changes is this. When we are dealing with prices it is possible to proceed directly to the most interesting case-the case of a change in prices which is expected to be permanent. (We saw why this is: a permanent change in prices is equivalent to a proportional change in current prices and price-expectations, so that we become entitled to use the static convention of treating commodities due to be bought or sold at different dates as the same commodity.) When we are dealing with interest rates, however, we cannot employ the same convenient simplification.

...

Still, once the Austrian theory is put behind us, the only important thing which emerges is the general conclusion (which can be stated clearly enough for nearly all purposes without any of this rigmarole about average periods) that changes in the rate of interest affect the 'tilt' or crescendo of the production plan.

...

This would make the net income effect work in the same direction as the total substitution effect, and reinforce the conclusion that, for the market as a whole, a rise in the rate of interest will reduce current expenditure, a fall in the rate of interest increase it.

Hicks definitely sounds a clear warning about the dangers of a liquidity trap, referencing Keynes.
This is all very well; but when we turn to the converse case of a
fall in prices, a new difficulty presents itself. It is now necessary for the rate of interest to fall, in order for equilibrium to be restored. If the rate of interest was reasonably high to begin with, it seems possible that this reaction may take place without difficulty. But if the rate of interest is very low to begin with, it may be impossible for it to fall farther - since, as we have seen, securities are inferior substitutes for money, and can never command a higher price than money. In this case, the system does not merely suffer from imperfect stability; it is absolutely unstable. Adequate control over the supply of money can always prevent prices rising indefinitely, but it cannot necessarily prevent them from falling indefinitely. Trade slumps are more dangerous (not merely more unpleasant) than trade booms.

...

Taking all these things together, we may say that interest policy - which is monetary policy - gets very high marks as a means of checking booms, but very low marks as a means of checking slumps. It can set a point beyond which prices shall not rise; but it cannot ensure that they do rise to that point.

He also raised an issue that is still active in discussions today. In relating interest, inflation and employment, are changes dependent on the value of some quantity, or the rate of change in the value of that quantity?

Well so much for "Value and Capital". Next up, Marx, then a modern book on Behavioral Economics. But I have decided that I will start taking a vacation every summer from economic texts. So no economics until the Autumnal Equinox. I'm 2 months behind on the magazine stack, and have 20-something books to read in my iPad. Plus I have the latest Jared Diamond in hardback. Hopefully I can get caught up some by fall.

Saturday, June 20, 2015

Nemesis Games

I finished reading "Nemesis Games", by James S.A. Corey. This is the the 5th installment of The Expanse series (soon to be a series on SyFy channel). The other installments I've blogged:
This installment brings us back to the solar system. Radical Outer Planet revolutionaries are determined not to let the Outer Planets become a footnote in history as mankind moves to the 1000s of planets to which the alien gate system has allowed access. So lots of politics and explosions, and several Motor Vehicle Chases (spaceship) - something you don't get everyday. We also have a character from the earlier books turn up, on what looks to be a recurring basis. I like how the authors do this.

The novel also has something in common with the previous novel I reviewed. It was kind of shocking to have that theme brought up in 2 successive reads.

This is as readable as the previous installments, a total page turner. Looks like the next installment will have to stick around the solar system to clean up the mess created in this one. And they still have the 1000s of worlds to explore. This series definitely is getting some legs on it.

Thursday, June 04, 2015

Seveneves

"Seveneves" is the latest novel by Neal Stephenson (@nealstephenson). This one is pretty much straight hard science fiction, 880 pages - Neal don't do no short books.

Several reviewers have commented on the books beginning:

The moon blew up without warning and for no apparent reason.
I guess the first line of a novel cannot be a spoiler??? I will also posit that the title of a novel cannot be a spoiler either. Nor can something listed in the table of contents. The point is, I am going to go into a little more plot details than normal, maybe these dispensations hold, maybe not, so, just to be safe, SPOILER ALERT.

Next the Neal Degrasse Tyson figure quickly figures out, oops, fragments of the moon will, in around 2 years, bombard earth and destroy all life.

The 1st 1/4 of the book follows the race to expand the ISS (now attached to Near-Earth asteroid Amalthea - wait a minute, Amalthea is Jupiter's 3rd moon???) to be the hub of a swarm of small modular spacecraft being launched ASAP by everyone who has launch capabilities. The candidates for survival in orbit are being selected and trained on Earth from all countries. Then, slightly ahead of schedule, the Hard Rain falls and Earth is trashed.

This part of the book begs for comparison to the gold standard "end of the world" sci-fi novel, "The Forge of God", by Greg Bear, 1987. There, the cause of the end of the Earth is known: it is being reduced to slag to be harvested for raw materials by Von Neumann machines dispatched by malevolent / indifferent advanced alien civilization. In "Seveneves" there is no discussion of why the moon blew up, other than limited speculation about aliens doing it, or god. In "The Forge of God", a tiny fraction of humanity survives due to the intervention of benevolent advanced alien civilizations. In "Seveneves", we engineer our own survival, which is I guess more uplifting.

The 2nd 1/4 of the book follows the survivors in orbit, where politics and equipment failure eventually wipe out all but 8 females. 1 of them is past menopause, hence "Seven Eves". With advanced genetic engineering they are able to keep their gene pool viable, and reintroduce the Y chromosome. But they somehow get into a discussion of to what extent they should try to correct / enhance what they each see as the weaknesses / strengths of humanity. They decide that each of them gets to determine the traits for which their offspring will be optimized.

The 2nd 1/2 of the book takes place 5000 years later. I found the jump rather jarring, it took me a while to get locked back into the narrative. There are now 3 billion members of the 7 human "races" living in geosynchronous orbit around the Earth. Most of the plot of this part of the book deals with political and other conflict between the 4 good guy races (blue) and the 3 not-so-good guy races (red) as they finally start to repopulate the earth.

I found the whole 7 races thing slightly ... repugnant, I guess? Like the race of the Malala figure Eve, who decided to remove competitiveness from her descendants, who are now health, child, or personal service personnel. It reminded me of the scene in the Star Wars prequel where the clone master explains to Obi-Wan how the clones have been bred to be great warriors but to be submissive and follow orders. Instead of killing the guy and calling for more Jedi to figure out how to restore the poor clones to full humanity, Obi-wan says "I'll take a million!"

Maybe in the far future, like in "Dinosaurs" by Walter Jon Williams, 1987, it will make sense for the human race to splinter into more specialized forms. But for the near future, we still have so much of a problem with racism that for the 7 Eves to go out of their way to create a new source of racism seemed off to me. It was to me a somewhat shocking lack of faith in the human race (general purpose model), which was not responsible for the Earth's destruction, for the 7 Eves to decide, in a very ad hoc manner, that they should start a eugenics program.

The book is of course a great read, Stephenson is one of our best modern sci fi authors. Lots of neat tech in both parts of the book. But, a little bit of a "yuck" factor to me for the engineered races. And, overall, I did enjoy "The Forge of God" more - I have reread it and its sequel at least once.

Stephenson did his thing with the title. His last book, it took me a few months to notice that the title was "Reamde", not "Readme". This one at least it was only a few days before I noticed the title was "Seveneves", not "Seveneyes".

Now, back to "Value and Capital", by Hicks, 1939. It's got 5 parts, I'm reading a part, then something else. My Unread shelf in my Kobo eBook reader has 22 books now, mostly sci fi and fantasy. Is it time to give up on economics? Or maybe just Twitter.

Wednesday, May 27, 2015

Apex

Just finished "Apex", by Ramez Naam (@ramez). This is the 3rd book in the "Nexus" series, the 1st 2 books of which I blogged about here. It is a real page turner - I read the > 600 pages in a couple of days. It continues the story of the 2 new cybernetic singularity technologies of the 1st 2 novels: the nanotech-based wetware that lets you run apps, including a group mind app, and otherwise reprogram your brain; and the scientist uploaded into a quantum computer who becomes a (threatening) superintelligence.

The book has all the positive attributes of the 1st 2: breakneck pacing, tons of action and explosions, great computer geek authenticity, lots of memorable characters. The message of social justice, civil rights, and equality for all is even stronger, yay! I also liked how much of the story involved China and India - realistic for 25 years from now.

The conclusion of this installment of the series is such that I think that he is done with the series. It definitely is uplifting in its attitude, and I strongly recommend it. Interesting that in an appendix on the tech, he doubts that this tech will be available by 2040, which is when the novels are set. I think I concur.

1 odd thought I had reading this final novel: I kept wondering, why didn't he leave the uploaded intelligence out of this series, and put that in a separate series? The 2 memes are both very strong, I think there could have been plenty done with just the wetware meme, perhaps even a more thorough exploration of the meme, and, somehow, the uploaded intelligence meme muddied the waters? Ha ha, I'll have to ask him to refactor it into 2 series! I bet with modern tech it wouldn't take that long.

Thursday, May 14, 2015

Rockstar

So 2 weeks ago, I played 4 times in 5 days:
  • Sunday at the blues jam at Shamrock's.
  • Monday at the blues jam at Patchen Pub.
  • Tuesday as part of the house band at the Funkabilly Groove Jam at Champion's Bar & Grill at Galaxy Bowling Center in Richmond. Lindsay Olive and I filled in for Dane Sadler who was on vacation. Got to take my rig out - Lindsay insisted on my taking the Super Reverb since the Funkabilly bass player has a 1200W head and 8x 10" speakers. Got to wear my "getting paid" hat, and of course, a cool t-shirt.
  • Thursday at the new blues jam at Austin City Saloon. Man, great acoustics, house PA with mixing board at the back, nice large stage with a drum throne.
Since then, it looks like Monday nite is done, and Tuesday nite has changed to Thursday in a new venue. So down to 2 jams, Sunday and Thursday. Much more reasonable.

Several recent discussions re putting a band together, but nobody seems to follow through on action items. I may quit jamming for a while. I seem to be trying to take things over, I believe a sign that I think I could do a better job of running things. But when I did run that jam at Henry Clay's Public House 2 summers ago, I had the same small turnouts that other jams see sometimes. So there is no support for the theory that I could do a better job.

I think that I've gotten to be a great jammer. Playing lead, rhythm or bass guitar; singing lead, harmony, or backup; and leading the band. I've done 80 songs at jams, probably still good for most of those lyrics. Plus, I know hundreds of other songs. It was funny in Richmond, they'd get women wanting to play songs no one knew, it was "Chris, you know this song?", and I think all but once the answer was yes. "Fever", "Jolene", "Runaway". That's what comes of being old ...

So I may quit jamming for a while and work on my solo act. I am now ready equipment-wise. I bought a mic, mic stand, conductors music stand. The mic sounds OK from the voice channel of the Fender Accoustasonic amp I bought. I also got a Digitech Vocalist, which will sing 2 or 3 part harmony with you. Your guitar runs through it so that it can detect the chord playing and know how to harmonize. It also has a built-in tuner and reverb and chorus that I like better than the chorus in the amp. So I took my looper out of the pedal box and have as my solo rig just the looper and Vocalist, running into the accoustasonic. The Vocalist is not like other pedals. You have to rehearse with it and figure out how to get it to sing the harmony you want. It also has autotune - get behind me satan!

Meanwhile, my main pedal box is completely out of control. I added a little utility pedal I got from Lindsay - I like its rotary setting. I also got an ElectroHarmonix C9 organ emulation pedal. Pretty odd stuff. That makes 10 pedals in my box. I had to get a 2nd OneSpot 9V power provider - they can only handle around 7 pedals.

Monday, May 11, 2015

Letter to the Editor

Today you published 4 letters reacting to a letter which compared climate change denialism to slavery. I share the 4 writers frustration. We should all agree to not compare anything to slavery, Hitler, or Nazis - it never furthers a discussion.

Beyond that, tho, there is nothing to agree with in these letters. "There really is a legitimate debate about whether and to what degree mankind is responsible". In the scientific community, this statement is completely false. 97% of climate scientists and 99% of all scientists agree that the evidence for human-caused global warming is overwhelming.

Another letter: "climate is always changing" - yes, but over time periods of 10,000 to 100s of millions of years. We can clearly see the effects of fossil fuel burning over just the last 200 years. The fact that there are longer-term influences on climate don't mean we can just ignore this data.

Perhaps the most incredible statement was that of the writer who didn't care if New York was underwater in 5 years. "Let those future residents deal with it". I think a lot of those future residents are current residents now. They are trying to "deal with it", and would like our help. But, Lexington is indeed 900 feet above sea level, so why should we care?

The fossil fuel industry spends $700 million/year spreading disinformation about the climate crisis. Head-in-the-sand attitudes like those from these 4 letters show that they are getting their money's worth.

Thursday, May 07, 2015

More Short Stories!

1 good collection, 1 mediocre collection.

The good collection is "Twelve Tomorrows - 2014", published by MIT's Technology Review magazine. A very good collection. I particularly liked "Countermeasures", by Christopher Brown, and "Petard: A Tale of Just Deserts", by Cory Doctorow. In addition to the short stories, there was also an interview with Gene Wolfe and a collection of sci-fi art by John Schoenherr. The only disappointment here was surprisingly "Death Cookie/Easy Ice" by William Gibson. It was a disappointment because it was the 1st chapter of his latest novel "The Peripheral", which I had already read and blogged here. I was looking forward to something from Gibson I hadn't already read. Plus, I didn't think that this really worked as a short story.

The mediocre collection is "The Alien Chronicles (The Future Chronicles)", edited by David Gatewood. "The Future Chronicles" is a series of collections on different themes put together by Samuel Peralta. These are mostly (all?) new writers, this kind of has a self-published feel. The editor says that they are aiming for quality in the stories. Generally, these stories are OK, but not up to the level of say, "Twelve Tomorrows" above or "The Years Best" edited by Gardner Dozois. The stories that stood out did so by being really not so good.

  • "Hanging with Humans" by Patrice Fitzgerald reminds me of something from the 1950s, with wacky aliens. It just doesn't seem to work in modern times.
  • "Remember Valeria", by W.J. Davies was just really badly written. I find myself trying to put my finger on identifying what triggers my "this person can't write" response. I know unnecessary words is one thing. Stating the obvious too many times is another. Using names from mythology for no apparent reason seems wrong as well.
  • "Life" by Daniel Arenson again seems like something from the 1950s, and its subject matter I found pretty unbelievable.

Sunday, April 26, 2015

Heretic

"Heretic", subtitled "Why Islam Needs A Reformation Now", is the fourth book by Ayaan Hirsi Ali. Richard Dawkins recommended it on twitter, and I decided I could do with something different to read.

The book is 288 pages, 8 chapters with an intro, conclusion, and an appendix that lists muslim dissidents and reformers. It is an easy read.

Ms. Hirsi Ali was born in Somalia and raised a muslim. She describes being a radical muslim as a teenager. She fled to the Netherlands to avoid an arranged marriage, was elected to parliament there, and became known as a proponent of women's rights and an opponent of Islam and FGM (female genital mutilation). She collaborated on a controversial short film on the treatment of women in Islam titled "Submission" with Theo van Gogh who was later murdered by a radical Islamist. She came to the US in 2006. She now is a fellow at the Kennedy Government School at Harvard University. I think I had previously heard of her after there had been opposition to her speaking at some university based on her being an islamophobe.

Ugh, she came to the US to work at the American Enterprise Institute, home of warmongers like John Bolton and Paul Wolfowitz. And she's married to conservative Harvard historian Nial Ferguson, who was a big Romney backer and who got into it with my fav Paul Krugman. I guess her right leaning associates are not so far right as to be a problem with her support of women's rights.

I read The Koran, along with most of the world's other holy books, when I was in my mystical period, ages 21-23. It was probably my least favorite of these books. Mohammed came across as pretty much a used camel salesman from whom you would not want to buy a camel. His message was straightforward: do what I say and give me 10% and when you die you go to paradise with all the cold water you want and lots of fresh fruit; otherwise, you go to hell and have demons gnaw on your bones for all eternity. So it's easier to understand than, say, the Tao, but, no thanks, I think I'll take door #3. So I really wasn't expecting to learn much about Islam, but I was pleasantly surprised to learn several new things.


Ms. Hirsi Ali really does not come across as a vitriolic Islam hater. She seems sympathetic to muslims, but feels that Islam must be held accountable for its worst features. In the introduction, she opens with this headline template, which you have to admit, we see instantiated all too often:

On ______, a group of ______ heavily armed, black-clad men burst into a ______ in ______, opening fire and killing a total of ______ people. The attackers were filmed shouting “Allahu akbar!”

Speaking at a press conference, President ______ said: “We condemn this criminal act by extremists. Their attempt to justify their violent acts in the name of a religion of peace will not, however, succeed. We also condemn with equal force those who would use this atrocity as a pretext for Islamophobic hate crimes.”

She concludes "Islam is not a religion of peace.". I'm not sure that this is a valid statement. Kind of an apples to oranges comparison. I'll return to this later.

She breaks Muslims up into 3 groups:

  1. Medina Muslims - these are the bad ones, who strongly identify with the parts of the Koran that take place after Mohammed has moved from Mecca to Medina and become a warlord. She puts this at 3% of the Muslim population, but rising.
  2. Mecca Muslims - these are "the clear majority throughout the Muslim World", "who are loyal to the core creed and worship devoutly but are not inclined to practice violence." But they have the same problem with which we see fundamentalist Christians struggle: "their religious beliefs exist in an uneasy tension with modernity."
  3. Modifying Muslims - these are the Muslims to whom she is addressing this book, to offer encouragement and support as they try to reform their faith.
She lists 5 things that she believes must be addressed for a "true Muslim Reformation":
  1. Muhammad’s semi-divine and infallible status along with the literalist reading of the Qur’an, particularly those parts that were revealed in Medina;
  2. The investment in life after death instead of life before death;
  3. Sharia, the body of legislation derived from the Qur’an, the hadith, and the rest of Islamic jurisprudence;
  4. The practice of empowering individuals to enforce Islamic law by commanding right and forbidding wrong;
  5. The imperative to wage jihad, or holy war.
I like this statement of hers:
this is an optimistic book
I am always in favor of optimism in looking forward. [ I have just recently come to think that one of the things that defines conservatives is that they do not believe in a "moral arc bending towards justice". They really don't believe in progress, they haven't read Steven Pinker's book "The Better Angels of our Nature", which I blogged here. They see all of history as cyclical, for example, with the USA inevitably declining as the Roman Empire did. So anyone who identifies with optimism is OK by me. ]

I think that, based on the number of times she repeats it, this idea is central to her message:

The Muslim world is currently engaged in a massive struggle to come to terms with the challenge of modernity.
In Chapter 1, she reviews her life story in more detail. She saw several different flavors of Islam in the various places she lived, including Saudi Arabia. Another flavor of her main idea:
Embracing violent jihad has become an all-too-common means for young Muslims to resolve the cognitive pressures of trying to lead an “authentic” Muslim life within a permissive and pluralistic Western society.
Chapter 2 asks "Why Has There Been No Muslim Reformation?" You can't get much more conservative than this:
The triumph of the Asha’ri school cemented a belief that, with the message of Muhammad, “History came to an end.”
One of the things I had not realized about Islam was its decentralized organization:
Unlike Catholicism, Islam is almost entirely decentralized. There is no pope, no College of Cardinals, nothing like the Southern Baptist Convention—no hierarchical structure, no centrally controlled system of ordination. Any man can become an imam; all it takes is a self-professed knowledge of the Qur’an and followers.
This is similar, I think, to charismatic christian sects. Here's an interesting anecdote from when Ms. Hirsi Ali was teaching a Harvard seminar.
She replied: “I haven’t done the assigned reading. I don’t need to. I already know everything.” This goes to the heart of the matter. Paradoxically, Islam is the most decentralized and yet, at the same time, the most rigid religion in the world. Everyone feels entitled to rule out free discussion.
At the end of Chapter 2, she states her action plan again, this time in positive terms. In Chapters 3-7 she examines each of her 5 reforms in detail.
Some of these changes may strike readers as too fundamental to Islamic belief to be feasible. But like the partition walls or superfluous stairways that a successful renovation removes, they can in fact be modified without causing the entire structure to collapse. Indeed, I believe these modifications will actually strengthen Islam by making it easier for Muslims to live in harmony with the modern world. It is those hell-bent on restoring it to its original state who are much more likely to lead Islam to destruction. Here again are my five theses, nailed to a virtual door:
  1. Ensure that Muhammad and the Qur’an are open to interpretation and criticism.
  2. Give priority to this life, not the afterlife.
  3. Shackle sharia and end its supremacy over secular law.
  4. End the practice of “commanding right, forbidding wrong.”
  5. Abandon the call to jihad.
Chapter 3 was interesting in its discussion of how much of 7th century Arab tribal life became part of the Koran: patriarchy, and tribal honor and shame.
“Muhammad created a new monotheism fitted to the contemporary needs of tribal society.” The effect was to perpetuate tribal norms by freezing them in place as holy writ.
Another new fact I learned deals with "abrogation". Like all (static) holy books, the Koran contains many contradictions. These are resolved by positing that the later passages "abrogate" or replace the earlier passages. Unfortunately, the later parts of the Koran, after Mohammed had fled to Medina and became a warlord, tend to be the ones that incite violence.
Thus Ibn Salama (d. 1020) argued that chapter 9, verse 5, known as ayat as-sayf, or the sword verses, abrogated some 124 of the more peaceful Meccan verses. The same applies to the verses concerning forcible conversion. As Ibrahim explains, “whereas Allah supposedly told the prophet that ‘there is no compulsion in religion’ (2:256), once the messenger grew strong enough, Allah issued new revelations calling for all-out war/jihad till Islam became supreme (8:39, 9:5, 9:29, etc.).”
One of the things that Chapter 4 concludes is that Islam's emphasis on the afterlife leads to a fatalistic outlook in this life.
Allah has willed it to be this way; it is there because Allah has willed it. And if Allah has willed it, Allah will provide. It is an unbreakable ring of circular logic.

...

Though it is unfashionable to say so, Islam’s fatalism is a more plausible explanation for the Muslim world’s failure to innovate.

Chapter 5 discusses sharia law.
it is as if our priests, ministers, and rabbis were also our judges and legislators, employing their religious theology to establish legal boundaries of acceptable conduct in our daily lives.
And on top of that, you have the whole medieval flavor of the justice system: beheading, crucifixion, amputation, stoning, lashing. What can you say besides "ugh"? After Friday prayers in Saudia Arabia, "many men flock to the central squares to watch the implementation of Islamic justice". We should remember tho, that it has been less than 100 years since public executions stopped here in the USA.

Chapter 6 discusses the "command right and forbid wrong" thing. This is totally creepy, very much reminiscent of "1984" and thought crime.

It is almost always the immediate family that starts the persecution of freethinkers, of those who would ask questions or propose something new.

...

commanding right and forbidding wrong are very effective means of silencing dissent. They act as a grassroots system of religious vigilantism.

...

As modern Islamic communities have become radicalized, there is a kind of arms race of commanding right and forbidding wrong.

Chapter 7 addresses jihad. In addition to the terrorist attacks in the West as a sign of ongoing jihad, Ms. Hirsi Ali notes that there is also a "Worldwide War on Christians".
One of the most devastating manifestations of the modern era of jihad is the violent oppression of Christian minorities in Muslim-majority nations all over the world.

...

Yet any fair-minded assessment of recent events leads to the conclusion that the scale and severity of Islamophobia pales in comparison with the Christophobia evident in Muslim-majority nations from one end of the globe to the other.

There is a good discussion of what leads young westerners to become jihadists.
Ghaffar Hussein, the managing director of Quilliam, a British think tank working on combatting terrorism, notes that jihad is appealing because of its “one size fits all” set of answers to complex problems. Introspection is not required, he notes, because all blame is shifted to outside enemies and “anti-Muslim conspiracy theories.” The jihad narrative has therefore become “the default anti-establishment politics of today. It is a means of expressing solidarity and asserting a bold new identity while being a vehicle for seeking the restoration of pride and self-dignity.” In response, “mainstream Muslim commentators” — not to mention non-Muslims — have failed to articulate a positive narrative that does not simply reinforce the idea that Muslims are somehow victims. In short, Hussein’s argument is that the jihadists have the more compelling narrative.
Chapter 8 is titled "The Twilight of Tolerance". She advocates for the west and champions of western values to develop a more compelling narrative to compete with jihadism.
It [Islam] is a political religion many of whose fundamental tenets are irreconcilably inimical to our way of life.

...

I have spent more than a decade fighting for women’s and girls’ basic rights. I have never been afraid to ask difficult questions about the role of religion in that fight. As I have repeatedly said, the connection between violence and Islam is too clear to be ignored. We do no favors to Muslims when we shut our eyes to this link, when we excuse rather than reflect. We need to ask: Is the concept of holy war compatible with our ideal of religious toleration? Should it be blasphemy — punishable by death — to question the applicability of certain seventh-century doctrines to our own era? Why, when I have made these arguments, have I received so little support and so much opprobrium from the very people in the West who call themselves feminists, who call themselves liberals?

...

In the midst of all our efforts at policing, surveillance, and even military action, we in the West have not bothered to develop an effective counternarrative because from the outset we have denied that Islamic extremism is in any way related to Islam. We persist in focusing on the violence and not on the ideas that give rise to it.

...

If we continue this policy of nonintervention in the culture war, we will never extricate ourselves from the actual battlefield.

In the conclusion, Ms. Hirsi Ali frames the conflict within Islam.
Today there is a war within Islam — a war between those who wish to reform (the Modifying Muslims or the dissidents) and those who wish to turn back to the time of the Prophet (the Medina Muslims). The prize over which they fight is the hearts and minds of the largely passive Mecca Muslims.
She says that currently, the bad guys (Medina) are winning, using 4 measurements: individuals joining; media attention; resources; and coherence. On coherence:
In many ways this is the most important advantage the Medina Muslims have over the Modifier Muslims. The latter are faced with the daunting — and dangerous — task of questioning the fundamentals of their faith. All the Medina Muslims have to do is pose as its defenders.
But she does see the good guys winning eventually, yay! The section "Why the Tide Is Turning" begins:
Three factors are combining today to enable real religious reform:
  • The impact of new information technology in creating an unprecedented communication network across the Muslim world.
  • The fundamental inability of Islamists to deliver when they come to power and the impact of Western norms on Muslim immigrants are creating a new and growing constituency for a Muslim Reformation.
  • The emergence of a political constituency for religious reform emerging in key Middle Eastern states.
Together, I believe these three things will ultimately turn the tide against the Islamists, whose goal is, after all, a return to the time of the Prophet — a venture as foredoomed to failure as all attempts to reverse the direction of time’s arrow.
Her final conclusion:
The dawn of a Muslim Reformation is the right moment to remind ourselves that the right to think, to speak, and to write in freedom and without fear is ultimately a more sacred thing than any religion.
Reviewers of this book think that her hope for a reformation is unlikely to be fulfilled. I think she is doing the right thing, tho, and certainly hope that some of all of her proposed reforms take hold in the decades to come.


I want to return to the statement "Islam is not a religion of peace", and discuss religion, Islamophobia, and multiculturalism.

1st off, I think "not a religion of peace" is basically an invalid statement. Religions are amongst the most complex memeplexes ever created with in human mindspace, containing 10s of 1000s of memes or more. Most religions probably have verbiage that comes on both sides of any issue, for example, war vs peace. So I think that basically, the nature of religions is that anything you can say about them is both true and false. So why bother?

I sometimes have a much darker read on the Jehovah-based religions. At times it seems to me that the main social use of these religions has been to convince individuals that it is OK to engage in mass murder. To quote physicist Steven Weinberg, "Religion is an insult to human dignity. With or without it you would have good people doing good things and evil people doing evil things. But for good people to do evil things, that takes religion." So maybe instead, saying any religion is violent is indeed true.

I think that these memeplexes evolve over time. Islam is, what 600 years younger than Christianity? I think that, in general, the younger a religion is, the more virulent a mind virus it is. As time passes, the other memes in our minds create defenses against the religious memes. Hopefully, as with Ms. Hirsi Ali's prognosis of victory, our immense information infrastructure will speed this memetic immunization.

So, is Ms. Hirsi Ali Islamophobic? I don't think so. But I think that those attacking her show that something very unfortunate has happened in liberal / progressive thinking. I think that all progressive thinkers support immigrants and welcome them to our countries, unlike conservatives, who seem to have forgotten that all of us are descended from immigrants. But supporting immigrants does not mean that they get a blank check, in the name of multiculturalism, to import all the customs of their native countries. They are of course free to practice their religion, but, it must be subject to the civil laws of their new land. So allowing sharia law in muslim immigrant enclaves is a definite "hell no".

One thing on which I totally agree with Ms. Hirsi Ali is that Islam's treatment of women is abhorrent. The Koran doesn't even talk about women in heaven, just men. Multiculturalism is one thing, but, if your culture treats women, or anyone for that matter, as 2nd class citizens, then your culture is inferior and unacceptable.

I see Middle Eastern immigrant females wearing head coverings when I'm in the grocery store or otherwise out and about. I find it offensive, like seeing a slave wearing chains. But should it be banned, as I think France has done in its schools? I had forgotten how when I was a kid attending Catholic school and going to mass every morning, females were absolutely required to wear head coverings to church. And, per this article with which The Google provided me, the 1917 Catholic Canon Law not only required head covering, but also required males and females to be separated in church, just like most muslims and conservative Jews still do. And this was in place until 1983.

So how upset do we get over these backwards practices? I think that a lot of these issues will go like language does for immigrants. The 1st generation largely speaks their old language at home; the 2nd generation speaks both languages; the 3rd generation just speaks English. So if this generation of Islamic American females doesn't quietly quit going veiled, I would hope the next generation will. Still, it's hard to watch females relegating themselves to being 2nd class citizens.

I'll conclude with one of my many failed memes. Here's an image of the prophet Mohammed, which I drew and tweeted after "Je suis Charlie":

||:-<
I thought that this was a meme worth spreading - how to break sharia law in 5 characters - but, it seemed to get no traction whatsoever. On the plus side, I haven't received any death threats, so, phew!

Friday, April 17, 2015

Music In - New

OK, finally the new stuff.
  • Buddy Emmons With Lenny Breau, "Minors Allowed", 1978. When I posted pedal steel guitarist Buddy Emmons fabulous version of "Wichita Linesman" to Facebook, the most excellent young guitarist Jeff Adams mentioned that the cover of this album was in the visuals. He was a big fan of Lenny Breau, so I got the album. A little too jazzy for my taste. 3 stars.
  • War on Drugs, "Lost In The Dream". This group had gotten some buzz and been recommended to me. I didn't like it that much. Fairly listenable, but nothing really catchy. 3 stars.
  • Belle & Sebastian, "Girls in Peacetime Want to Dance". As always, very listenable, but I don't think as strong as their previous effort. 3 stars.
  • Estelle. "True Romance". I discovered Estelle on my 1st business trip to London. Nice BritPop. I really like that she doesn't oversing. 3 stars.
That brings us to the start of March. 8 new albums since then, still processing, but we'll get to those pretty soon, I promise.

Oh, here's the Buddy Emmons "Wichita Linesman". I don't get tired of listening to this. I have this "Suite Steel" album, BTW. All the best pedal steel players of 1970. I think I'll rip that one out of order.

Music In - Vinyl

On to the vinyl I ripped. This is going in alpha order.
  • pearls before swine, "balaklava", 1968. Ahh, late 60s psychedelic music. So much bad stuff. I think my old bandmate, sax player Barry Levine, liked this. 2 stars.
  • The Beach Boys, "Pet Sounds, 1966. I had 5 Beach Boys albums. This is I think heading into their best stuff. 3 stars, 4 stars for "Wouldn't It Be Nice", "God Only Knows", "I Just Wasn't Made for These Times", and "Caroline, No".
  • The Beach Boys, "Sunflower", 1970. 6 4 stars, 6 3 stars.
  • The Beach Boys, "Surf's Up". My favorite of these albums. 4 stars.
  • The Beach Boys, "Carl and The Passions - 'So Tough'", 1972. I think an attempt to be somewhat retro, 3 stars.
  • The Beach Boys, "Holland", 1973. An oddish, hippy theme song "California Saga". 3 stars, 4 stars for "Sail on Sailor".
  • Beacon Street Union, "The Eyes of the Beacon Street Union", 1968. Oof. A Boston psychedelic band. 2 stars.
  • George Benson, "The George Benson Collection", 1981. Great stuff. 3 stars, 4 stars for "This Masquerade", "Love Ballad" (which I have worked up, transposed down 3 frets), "Nature Boy", "Breezin'", and "The Greatest Love of All".
Really looking forward to The Byrds and Moby Grape.

Music In - CD

Holy moley, have I been slacking! No "music in" since November. I think it's because I ripped and processed a bunch of my youngest daughter's CDs, and ripped and processed a bunch of my old vinyl and didn't want to slog through blogging all of them. OK, brace up!

So, 1st let's go over the CDs. Ha ha, what was my youngest daughter listening to in the 90s and 00s?

  • Janet Jackson, "All For You", 2001. Some good songs and some annoying talking. 3 stars, 2 for talking.
  • Pete Yorn, "Music For The Morning After", 2001. I liked his recent album with Scarlett Johansson. No real standout tunes here. 3 stars.
  • Tristan Prettyman, "Twenty Three", 2005. Nice chick pop. 3 stars.
  • Ugly Casanova, "Sharpen Your Teeth", 2002. Decent alternative music, seems like I remembered a track or 2. 3 stars.
  • Digital Underground, "Sex Packets, 1990. Hip Hop, featuring the smash hit "The Humpty Dance". 2 stars.
  • Alanis Morissette, "Jagged Little Pill", 1995. These were some way edgy songs when they came out. I thought some of them might make it to 4 stars, but, nope, after a few listens, really didn't want to particularly hear again. 3 stars.
  • Destiny's Child, eponymous, 1998. A nice girls group. 3 stars.
  • Eels, "Beautiful Freak", 1996. Nice alternative including the hit "Novocaine For The Soul". 3 stars.
  • Varsity Blues soundtrack, 1999. A bit too brash for me at this point. 2 stars.
  • The Birdcage soundtrack, 1996. Mmmmm, I got nothing. 2 stars.
  • Armageddon soundtrack, 1998. Heavily Aerosmith orientied, I've never been much of a fan. 2 stars.
  • Dangerous Minds soundtrack, 1995. Rap and hip hop, including the hit "Gangsta's Paradise". 2 stars.
  • Empire Records soundtrack, 1995. The best of the soundtracks here. "Til I Hear It From You" by Gin Blossoms is a nice tune. 3 stars.
  • Titanic soundtrack, 1997. Heroic orchestral w Irish overtones. 2 stars.
So, nothing really "Wow that was great, so glad to rediscover it".

Monday, April 06, 2015

Ancillary Sword

I used to bike past a place called Irish Acres in Nonesuch, KY. I say "used to bike" because whether you come into Nonesuch from the south, north, or east, you have to bike some bad hills. So I quit going there for a couple of years. I went once last year, I don't know if I'll try it this year.

Anyway, Irish Acres is an antiques place with a restaurant, and I thought my wife would enjoy a drive thru the beautiful Woodford County countryside to see it.

So we get there and look around. Furniture, knick-knacks out the wazoo, and of course a huge Christmas section. There were a couple of dozen customers browsing - I spotted only 1 Y chromosome besides mine.

We had a nice lunch at the restaurant, named The Glitz. It was decorated with huge garlands of 6 inch sparkly glass globe lights, in a variety of pastel colors. Kind of like Christmas on steroids.

As we were leaving, my wife summed up the experience succinctly: "This is what a world run by women would look like."

I kept thinking of this as I was reading "Ancillary Sword", by Ann Leckie. This is the sequel to "Ancillary Justice", which I posted about here, and which won both the Hugo and Nebula awards last year. I was somewhat surprised by that. It was an interesting novel, with human beings with brain implants slaved to a ship AI ("ancillaries"). There is a single human empire whose ruler for the last 3000 years shares her intelligence across multiple bodies, with old ones dying and new ones being added. So some interesting concepts. But I think it got the most buzz from its odd treatment of gender. Everyone is a "she", but some of them have penises.

Ms. Leckie writes well. The novel is a quick read. But, the plot is not advanced much at all from the 1st novel. Like maybe 3 plot events, tops. Meanwhile, there is much discussion of antique tea sets (which kept reminding me of my wife's comment at Irish Acres), and some teenage crushes. There's a little bit of a social justice theme, but I kept thinking of what someone once tweeted about "Dune": that space operas usually involve some form of fascist government.

This novel is nominated for a Hugo award. I find that harder to understand than I did for the 1st novel - the 1st novel raised several interesting concepts, the 2nd one breaks no new ground. I really didn't notice the gender thing much. But still, I'm afraid that my lack of enthusiasm for this novel is somehow sexist.

I am a huge fan of Ursula K. LeGuin and Octavia Butler, and read many other female SF authors. I really don't care what sex a SF author is. I raised 3 daughters to kick ass and take names. But my intuition is that some kind of feminist issue seems to be driving the popularity of this book. I am 1000% in favor of all forms of feminist progress, but, I feel like I'm missing something here. Maybe I'm just an white old fart after all.

Saturday, April 04, 2015

The Turnip Princess

I picked up the trade paper version of "Turnip Princess and Other Newly Discovered Fairy Tales" at Joseph-Beth Booksellers. In the 1850s, Franz Xaver von Schonwerth collected hundred of folk tales in northern Bavaria. These sat in boxes until they were rediscovered in a German city archive a few years ago. This volume is over 70 of these stories, cleaned up and translated to English. Several variations on Cinderella, Thumbelina, and others. Many are completely off the walls, many are bloody, several are crude. As one of the prefaces says, it's all about action, "what happens next".

I have made a habit of reading fairy and folk tales of all cultures over the years. I bought this as a real book in thoughts of passing it on to my granddaughter. But I don't think these would hold her attention. And increasingly, I really question the wisdom of exposing young children, particularly females, to the traditional fairy tale genre. Like the Disney "princesses" thing, which drives me crazy, I don't think these are good life lessons for raising modern females. Finding your prince and "living happily ever after" I would characterize as a way less than optimal life strategy for a modern female.

So this book won't be going to my granddaughter. Maybe when she's grown if she becomes a folk tale aficionado, she can have it with the rest of my collection.