Tuesday, December 24, 2024

Again, 4

I said I was going to start posting after each individual book - apparently I lied. Once again, I have 4 books to post. I really do think onesy would be better, I should try harder.

  1. "The Terraformers" by Annalee Newitz, 2023, 381 pages, 118k words. Our story starts in the year 59,006. Humanity has many interstellar colonies. People are manufactured to order. The Great Bargain, which was forged out of the Farm Rebellions, lets lots of things be defined as people: uplifted animals, originally from farms, but now including mole rats, earthworms, any animal that has been bioengineered to support consciousness, various androids - including intelligent trains, a la Thomas the Tank Engine.

    Of course, corporations are still in there being rapacious, and as ever trying to find ways to turn people into slaves. Who will win the inevitable struggle, between people and corporations?

    I remembered from Newitz's last novel various kinds of creative sex. With bodies being designed to order, there are some interesting varieties of sexual organs. I started to say "weird sex", but then I remembered Doc Holiday's line to Wyatt Earp at the end of Tombstone: "There's no normal life, Wyatt. There's just life."

    A good exploration, I think, on the meaning of personhood. The more the merrier in the Great Bargain - just as in our world now. Diversity is a source of strength & resilience.

  2. "The Boat of a Million Years" by Poul Anderson, 1989, 470 pages, 190k words. Well, somehow I was feeling nostalgic. This book came up for cheap in BookBub, I went for it - I always liked Anderson's stuff. I didn't notice: 1) how late in his career it was; 2) how long it was.

    So, a Phoenician merchant in 300 BC discovers he seems to be immortal, unless agressively killed, dismembered, burned, etc. There a few other immortals scattered over the world. The book has lots of episodes scattered across time & geometry. Various attempts for them to find each other & create common cause have varied success. Most of the historical vignettes are pretty good. It gets cringey when it's in Anderson's time - the 80s - & his white, libertarian ideals come shining through, as his characters have to navigate through the hellholes that are American cities. Finally, humans go post-singularity, can go virtual, etc. The immortals never fit in, so the rest of humanity agrees to build them a starship to get rid of them. They go exporing for terraformable planets, find other life, have difficult decisions. The end.

    Well, if I'd noticed the 1989 date, I would have tried something else. Yet another case where, annoying as the modern gender-fluid emphasis can be at times, it beats the hell out of old white man libertarianism.

  3. "The Book of Elsewhere" by Keanu Reeves, Chine MiƩville, 2024, 352 pages, 109k words. Speaking of immortals, how about a 80,000 year warrior who, even when killed, forms an egg, maybe away from where he died, and regrows a new body. Nice work if you can get it, I guess. He doesn't want to die, but wants to be able to die - a distinction I think too subtle for me.

    This is based on the BRZRKR comic that Keanu Reeves co-authored - I think I kickstartered it. The comics were OK. This novel I think has better developed characters than the comic (ya think?) - MiƩville can usually be relied on for interesting characters. Kind of drug a little, it seemed longer than 352 pages. Overall, not a bad read. I wonder what will be next, movie or video game?

  4. "Days of Shattered Faith" by Adrian Tchaikovsky, 2024, 544 pages, 171k words. Book 3 of The Tyrant Philosophers series. Book 1 was blogged here, Book 2 was blogged here. I've liked the covers of this series, here's the latest:

    Once again our oh so unlikeable rationalist empire is seeking to expand. Do they succeed or not? A different kingdom in their sites, different gods, different races who have entered through the dimensional gates scattered over the planet. Some very surprising reversals lead to a surprising ending. This 1 kind of drug in the middle, I thought it must be longer than the other 2, but, it is actually > 50 pages shorter! It was still a good read.

Once more into the breach ...

Saturday, December 21, 2024

IslandWalk Bird Counts

This was my 1st attempt to aggregate some of the bird count data that I had collected on the X & X2 routes, to see if I could get any feel for the quality of the data. My initial impression - not so good ;-(

I had the content below at the top of the main "Birdwatching In IslandWalk" page. It was a distraction there, so I have given it its own page here.

Here's the link to the IslandWalk hotspot at eBird.org.


[Originally created 2023-08-29]
This is really not enough data yet to do much analysis on, but I figured I would start this table, which is the most aggregated form of the data. Even so, the Avg Birds # can be thrown off by a vulture or crow get-together, which can be 50-200 birds, but not too badly I think. Not sure what the increases mean, but I guess that's better than decreases.

OK, I've thought about it a bit, I think what's going on is that 2020 goes thru March, 2021 goes thru April, 2022 goes thru May. Mating season starts in late February, early March. All the passerines, in particular the mockingbirds & grackles, start singing 5-10x as much, so their numbers soar. I hate to cut the counts off in March tho. This year I am planning to be in IW October-April. I could use that as a consistent sample moving forward. This would all be so much easier if I were in IW year-round, but my wife wants no part of that :-(. If anyone else can step up and help, that would be great.

SeasonCountsAvg SpeciesAvg Birds
Dec-2020 : Mar-2021922.0170.4
Dec-2021 : Apr-20222224.8209.9
Dec-2022 : May-20232625.4222.3


[Updated 2024-11-15]
Added 2023-2024 season row.

SeasonCountsAvg SpeciesAvg Birds
Dec-2020 : Mar-2021922.0170.4
Dec-2021 : Apr-20222224.8209.9
Dec-2022 : May-20232625.4222.3
Oct-2023 : Apr-20243224.6256.3

I think I will go to the 2022-2023 data and get rid of May.

Note, as I filter this data more, I am NOT going back and updating the annual IslandWalk Birds posts. Those are our raw data, I will leave them alone.


[Updated 2024-12-21]
Got rid of May-2023. Hmmm, average birds got closer to the prior season, but we lost 7 bird lists.

SeasonCountsAvg SpeciesAvg Birds
Dec-2020 : Mar-2021922.0170.4
Dec-2021 : Apr-20222224.8209.9
Dec-2022 : Apr-20231925.4205.3
Oct-2023 : Apr-20243224.6256.3

Next up, get rid of crows, vultures, & starlings. No, check that, let's get rid of Oct & Nov 2023 on the most recent season & see what that does.


[Updated 2024-12-22]
Got rid of Oct & Nov 2023 on the most recent season. Down from 89 bird lists to 74. Avg Birds is still ~51 over the average of the prior 2 years, up 24.5%.

SeasonCountsAvg SpeciesAvg Birds
Dec-2020 : Mar-2021922.0170.4
Dec-2021 : Apr-20222224.8209.9
Dec-2022 : Apr-20231925.4205.3
Dec-2023 : Apr-20242424.9258.4

I think I know the cause, but 1st, let's remove the crows, vultures, & starlings, which I'm pretty sure are just a source of noise in the data. Note, these species will be removed from the Avg Birds, but not the Avg Species.


Removed the crows, vultures, & starlings. I also noticed that the 2020-2021 data is all from December & January except for 1 list in early March that was only 5.0 miles because my arches went out at the 4.5 mile mark.

SeasonCountsAvg SpeciesAvg Birds
Dec-2020 : Mar-2021922.0154.0
Dec-2021 : Apr-20222224.8187.9
Dec-2022 : Apr-20231925.4184.9
Dec-2023 : Apr-20242424.9238.9

So the 1st season is down by 16 Avg Birds, the other 3 down by ~ 20. But, Avg Birds is still 53 over the average of the prior 2 years, up 28.1%. Removing the noise made the increase greater!

I looked at the 2023-2024 spreadsheet for the highest counts. Oh, I get it!

The gist of it is, the 3 migratory diving birds we get show up in widely ranging numbers, if they show up at all.

After 0 lesser scaup the prior season (4 sightings, average 13.0 before that), in 2023-2024 they appeared in 10 lists, average 54.7, max 94. We also had a lot more hooded mergansers: from 6/3.7 to 3/2.7 to 10/14.7. Ring-necked ducks were 0 to 1/4.0 to 2/7.0. This month, over 3 days ring-necked on Lake #3 went from 3 to 10 to 20. I checked today, still 20.

So that explains some of difference. We also have the increased numbers of gallinule & coots.

I conclude that looking at aggregate numbers has limited use. The consistency betweek 2021-2022 and 2022-2033 is encouraging, but, the encouragement ends there. Not a bad sanity check though.

I'm not sure looking at groups (swimmers, divers, etc.) will help that much. I looked at the line & bar graphs built into eBird, they all seem oriented to plotting within a year, rather than year to year. I did find it was easy to download all my data into a CSV, ready for import into a spreadsheet or database - it was ~6000 records. They do include the list metadata, so I can filter by X. and X2. in the description.

More to come, I guess ...

Thursday, December 19, 2024

Music In, 2024, Batch 3

Featuring, some big collections from "black" female singers of the 1920s-1950s.

I was going to do a post of all the ("black") female singers I have discovered. I wondered, where are the "white" female singers?

OK, 1 of the 1st artists I discovered from the 1920s-1940s was Annette Hanshaw (1901-1985). I heard a song of hers ("would you like to take a walk") on NPR on the car radio waiting for someone at an airport. I remember the song from a Merry Melodies cartoon where a bear is singing the song trying to persuade prey animals to go for a walk with it (not in the video). I bought a CD of hers. I do 3 songs off of it:

  1. "let's fall in love" 1933
  2. "would you like to take a walk?" 1931
  3. "i've got a feeling i'm falling", 1929
I think I read that she retired from music in the mid-late 1930s &, with her husband, purchased & managed an hotel in upstate New York. That's not in her wikipedia article, not sure where I got that from - probably the album notes. I gave the CD to my mother-in-law after I ripped it.

Interesting, "would you like to take a walk" was composed by Harry Warren, who had no playlist on the Jaz Dumoz YouTube channel. Turns out he wrote 5 of the songs in the Jaz Dumoz book. I have updated the metadata & given him the proper props. I did the same for a frequent lyricist of his Al Dubin.

Another "white" female singer, Ruth Etting (1896-1978), has furnished 2 intros to songs I do. She was played by Doris Day in the fictionalized biographical movie "Love Me or Leave Me", 1955. Songs we overlap on:

  1. "all of me", 1931.
  2. "whose honey are you?", 1935
I've run across Jo Stafford (1917-2008) too, but we seem to overlap on only 1 song, "i remember you", 1941.

A couple years ago, based on a recommendation of my friend & fellow performer Tom Cool (Yolton), I bought a couple of albums by Blossom Dearie (1924-2009), both reviewed in this blog. She was a great singer & pianist, but her singing style, very soprano and warbly, sadly approached being self-parody.

I think I was soured on "white" female early pop singers by Julie London (1926-2000). I loved her 1st album, "Julie Is Her Name", 1955 - I worked up "easy street" and "cry me a river" from that album - both hard songs, Barney Kessel guitar parts. But, I bought her 2nd album and her producers had had her do this very overly breathy ("sexy to somebody apparently") singing style, which I found very cheezy & offputting - it was way too close to self-parody. I'd forgotten about it, I was thinking about buying "Julie Is Her Name, Volume II", 1958, I listen to a track or 2, it is the breathy delivery, ugh.

She was a calendar/pinup girl during WWII. Also nurse Dixie McCall on the TV series "Emergency!", with her husband & arranger/ producer/ pianist/ songwriter (& composer of the song "(get your kicks on) route 66") Bobbie Troup, who played a doctor. Her 1st husband was Jack Webb of Dragnet & several equally execrable cop shows (and "Emergency!").

I've recently encountered some tune overlap with Peggy Lee (1920-2002) "i cover the waterfront". I think I might harvest some good tunes from her.

So when I do my post on early female pop singers, I will include all "races". I am undecided, should I mention the artist's "race"? The opportunies available to them were definitely affected by "race".


That certainly was a long aside. On to Batch 3:

  • Lake Street Dive, "Good Together", 2024, 11 tracks, BandCamp. Nice tunes, a couple may be a bit trite, but, this band is now 20 YO, & most of the tracks work. The duets between lead singer Rachel Price & the keyboard player since 2017 Akie Bermiss definitely work. I liked "Seats at the Bar", this was my wife & my dining strategy for decades. We now follow the old folks' canon of going out to eat dinner at 5:00 pm.

    4 stars. This song is a bit of a stretch, but I could so hear Donna Summer singing it: "Dance With a Stranger".

  • Asher White, "Home Constellation Study", 2024, 11 tracks, BandCamp. Very high & trebly vocals, very unthreatening. Catchy tunes, great beats. 4 stars. Here's "Theme From Leaving Philadelphia":

  • Una Mae Carlisle And Her Jam Band, "Irresistable Masterpieces (Live)", 1944, 5 tracks. I am so enamored of Una Mae - she died of cancer, age 40, in 1956, I was 5 YO.

    In late 1932, Fats Waller moved his family to Cincinnati, so he could perform on clear channel radio station WLW, which pretty much reached coast to cost. For his 1932 christmas show, he recruited 17 YO singer/pianist Una Mae Carlisle, from nearby Xenia OH, who had won a talent contest. She became a regular on the show through 1933. Una Mae was a force of nature. She tried to steal my review of the 1st Fats Waller biography I read.

    I recorded my 1st Una Mae song December 16, 2024: "t'ain't yours", a snarky, feminist manifesto, FTW! Meanwhile, of these 5 tracks, 4 stars, I will be working up 4 ("hangover blues" didn't make the cut): "i would do anything for you", "love walked in", "mean to me", and the 1st track "don't try your jive on me":

  • Pond, "The Weather", 2017, 11 tracks. Recommended by my young friend Chris Cooper. Australian, the co-band of Tame Impala, a definite fav of mine. A lot of the same sound == production values. I realized that their musical DNA probably goes back to Electric Light Orchestra by way of The Flaming Lips. I was concerned when the 1st track had kind of whiny glam rock vocals, but the vocals got better. 4 stars. Here's the title track.

  • Bonnie "Prince" Billy, "High and High and Mighty", 2024, 2 (long) tracks, BandCamp. As much as I am fan of this Louisville favorite son, I could not get traction with these 2 very long songs. 2 stars.

  • Criibaby, "when i'm alone i feel weightless", 2024, 12 songs, BandCamp. I was having trouble finding videos because I missed the "ii" in the name. One of those internet things, lots of "crybaby" and "cribaby". Very chill, high vocals over laid back instrumentals. The website states, gender neutral. I have 2 earlier EPs, this is the 1st LP. 4 stars. Here's the title tune.

  • Allysha Joy, "the Making Of Silk", 2024, 11 tracks, BandCamp. Apparently her 2nd album, I blogged her 1st here. Neo-Motown from Melbourne, OZ, but more jazzy & world overtones. Very good stuff, 4 stars. Here's the 1st track, "your touch".

  • "Ina Ray Hutton and her Melodears", eponymous, 1944, 24 tracks. Ina Ray Hutton was a female singer, tap dancer, and band leader. She led bands with male members, but this album is mostly her and her Melodears - an all-female big band. Weird, she sure looks "white", but her Wikipedia article says she was listed as "mulatto" in the 1920 census & as "negro" in the 1930 census. Whatever. She knows how to swing. She was married 5 times. 4 stars. Here's "truckin'" - note, this was really a popular song, I also have recordings of it by Fats Waller, Adelaide Hall, Duke Ellington featuring Ivie Anderson, & Jaz Dumoz.

  • "Jelly's Last Jam", from the Broadway musical, which was a vehicle for Gregory Hines? 1992, 22 tracks. Reading Fats Waller biographies turned up some references to Jelly Roll Morton (1890-1941), the New Orleans pianist who claims to have invented "jazz". This musical is somewhat of a biography, heavily themed around his denying he was "black" in favor of being "creole".

    Gawd, I so forgot how, for the last 4-5 decades, Broadway musicals have totally sucked. My wife & I were watching a movie about Bob Fosse which caused us to remember, we walked out of the theater 1/2-way through "Chicago" - we both got tired of waiting for a decent song. & we saw a production of "Hamilton" in Cincinnati, neither of us cared for it - so trite & formulaic. So, 2 stars for this album, & I will endeavor to remember, 0 love for Broadway musicals.

  • Redeyes, "Slow", 2024, 11 tracks, BandCamp. I previously had 1 EP & 1 LP of theirs. Techno from Toulouse, France. This LP has lots of guest vocalists, a nice mix of tunes, all slow - the title was not a joke. 4 stars. Here's the last track, "Butterfly feat. Saint Harmony".

  • James P. Johnson, "1921 - 1926 (Remastered)", 1926, 11 tracks. As I discovered in the 1st Fats Waller biography I read, James P. Johnson was Fats' mentor. He is considered "the father of Harlem stride piano". These songs are so easy to listen to. 4 stars. Although this blog has already linked to it, once again, here is his signature tune, "Carolina Shout":

  • Kate Bollinger, "Songs From a Thousand Frames Of Mind", 2024, 11 tracks, BandCamp. It looks like I have 2 EPs of hers, this looks like her 1st LP. Laid back, dreamy female vocals over nice, catchy alternative rock tunes. I am, as always, a sucker for this stuff. Here's the cute 1st track, with what looks like the only "official video".

  • Adelaide Hall, "A Centenary Celebration", 1945, 52 songs. I 1st encountered Hall in the Fats Waller biography: she brought Art Tatum to NYC as part of her band, where he blew away Fats Waller & his mentors James P. Johnson & Willie "The Lion" Smith.

    Her singing style is, soprano with LOTS of vibrato - warbly, maybe? So I load up these 2 CDs, start listening, the 1st 3 tracks ("creole love call", "this blues i love to sing", & "chicago stomp down") are all her scat singing in a soprano, warbly growl (with the Duke Ellington Orchestra in 1927-1928)?!?!? Somewhat reminiscent of a kazoo, which is definitely an instrument of which one needs only very small doses. I'm like, OMG, did I just buy 52 tracks of this? :-O

    But she does thereafter start singing more normally - if very high & warbly. Some of the songs are less warbly, & maybe more enjoyable to me.

    She moved to London in 1938 & never returned to the US. Included on these CDs are 2 tracks recorded in London in 1938 with her accompanied by Fats Waller on organ & smartass patter. She was definitely part of the crowd with which Fats hung out during his 1938 London soujourne.

    The album is historically interesting. There are BBC tracks in which she is introduced. There are a few short tracks recorded as promos for a German radio station.

    1 thing that was odd, she does "sophisticated lady", & does a 2nd verse & bridge with completly different lyrics than the canonical Ella / Sarah Vaughn version?!?!?

    So, 4 stars. Here's 1 of the tracks with Fats, "that old feeling":

    Quite a bit of music, FTW! Meanwhile, 12 albums in Q4 so far, 12 days left to go.